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Choosing Digital SLR Lenses



Left Image: Canon EOS D30, Tamron 70-210mm f-2.8 (equivalent to about 110-330mm f-2.8 in 35mm), 1/250 sec at f-8, ISO set to 200, aperture priority, autofocus. Bogen tripod and ball head.


If you currently have lenses for your 35mm camera that fit a certain digital SLR or plan on purchasing lenses, you have to keep in mind that each focal length is multiplied by a factor of 1.3X or more depending on the camera. Digital cameras use CCD chip instead of film to capture images. CCD size is smaller than a 35mm frame which is 24 x 36mm (1 x 1.5 inch). Except for Contax N1 which has a 24 x 36mm 35mm frame size CCD, all other digital SLRs multiply the focal length by 1.3x, 1.5x, or 1.6x. Canon EOS-1D multiplies the focal length by 1.3x while EOS D-30 multiplies by 1.6x. Nikon D1X and D1H multiply by 1.5x. A 100mm f-2 lens becomes 130mm f-2 on a Canon EOS-1D or 150mm f-2 on Nikon D1H. The maximum aperture is unchanged. This can work to your advantage most of the time. A 300mm f-2.8 lens costs between $2200 to $4500. On a digital camera the focal length is equivalent to about 450mm f-2.8. This is somewhere between a 400mm and 500mm lens in 35mm format. A 400mm f-2.8 costs over 7000 dollars and is much bigger and heavier than a 300mm f-2.8. A 500mm f-4 costs about 6000 dollars and is also a very big heavy lens. There is no such a thing as a 500mm f-2.8. If such a lens existed, it would cost you well over 30,000 dollars and you would need to join a gym to build up some mussels to carry this lens. So, a 300mm f-2.8 is definitely a great buy for use with digital SLRs. Add a 1.4X or 2X teleconverter and you have an equivalent 600mm f-4 and 900mm f-5.6 lenses. 300mm f-4 lenses are another great choice. This is about the same as 500mm f-4 lenses in 35mm format, except they cost from $600 to $1200. 300mm f-4 lenses are very sharp and compact. They also work well with 1.4X teleconverters. The popular 80-200mm f-2.8 zooms become even more useful when attached to digital SLRs. This zoom becomes 120-300mm f-2.8. This is a dream lens. Fast, very sharp, and excellent focal lengths for outdoor photography. All manufacturers make 80-200mm f-2.8 or 70-210mm f-2.8 zooms costing from $800 to $1800. The only draw back is the use of teleconverters on this type of zoom. Some zooms/teleconverter combinations work fine while some don't. You can select a fixed 200mm f-2.8 costing under $1000 and use matched teleconverters and get better results than a 300mm f-2.8 with matched teleconverters on a 35mm camera. A 200mm f-2.8 is optically superb and very light and compact. It provides the same magnification as a 300mm f-2.8 on 35mm which costs three to four times more.



12-24mm digital SLR lens

Even the 50mm lens (the forgotten lens) becomes an excellent choice once again. 50mm f-1.4 and 50mm f-1.8 lenses are the sharpest lenses ever made. They are also very affordable. A 50mm f-1.8 can be bought brand new for less than $100. 50mm f-1.4 cost around $250. I have seen many used 50mm f-1.4 lenses in new conditions for less than $100. 50mm is equivalent to about 80mm in 35mm. This is a great focal length for portraits. 85mm f-1.4 lenses cost around $500. You get the same magnification with 50mm lenses which are as fast and even sharper. Wide-angle lenses become a problem when used on digital SLRs. 28-85mm zooms are very popular for a wide variety of subjects. 28mm is about 40mm in 35mm. You'll need wider coverage for most situations. Even a 24mm which is equivalent to about 35mm in 35mm format is not wide enough. What about 20mm? Still not wide enough for some wide-angle photography. On Canon EOS-1D 20mm gives about the same coverage as 24mm which is very good. On the EOS-D30 coverage is a bit over 30mm. You'll need at least 17mm or better yet, a 14mm lens to get a very wide view for landscapes or building interiors. Zooms that cover 15-35mm or 17-35mm are becoming very popular and quality is very good.

Here is some suggestions for building a good working system for most type of photography. Avoid using very long lenses unless you need to. A 600mm f-4 lens with 1.4x teleconverter is about 1260mm f-4 in 35mm. Do you need this much power? I know I don't. You can substitute zoom lenses with fixed focal length equivalent.

Professional Amateur
General
Photography
17-35mm f-2.8
70-210mm f-2.8
300mm f-2.8
1.4X & 2X matched teleconverters
24-85mm f-3.5-4.5
70-210mm f-4.5-5.6
or 75-300mm f-4.5-5.6
Wildlife 70-210mm f-2.8
300mm f-2.8
500mm f-4
1.4X teleconverter
100-400mm f-4.5-5.6
300mm f-4
1.4 X teleconverter
for the 300mm lens
Landscape 14mm f-2.8
17-35mm f-2.8
70-210mm f-2.8
20-35mm f-3.5-4.5
70-210mm f-4.5-5.6
Architectural Same as landscape Same as landscape
Portraits &
Fashion
50mm f-1.4
70-210mm f-2.8 or
100mm f-2
50mm f-1.8
70-210mm f-4.5-5.6
Studio 50mm f-1.4
70-210mm f-2.8
50mm f-1.8
70-210mm f-4.5-5.6
Travel 17-35mm f-2.8
70-210mm f-2.8
300mm f-4
1.4X teleconverter
20-35mm f-3.5-4.5
75-300mm f-4.5-5.6
Close-up 100mm f-2.8 macro
200mm f-2.8 macro
or 28-85mm f-2.8 and 70-210mm with extension tubes
50mm macro or
28-85mm f-3.5-4.5 with extension tubes.

What else do you need? All the things you've been using with your 35mm camera including a solid tripod, cable release, flash, filters, etc. You won't need film, but you will need a memory card to record your images. Once you get home, download your shots to your computer and use a good imaging software to edit them. Half the fun is playing with your pictures in the image editing software. Just add a little imagination.

 

 

Recommended reading: PCPhoto Digital SLR Handbook

Here is a photographer’s dream manual, with the newest and hottest cameras, high-quality images, and unequaled, in-depth information provided by an expert author and PCPhoto, the best photography magazine on the market. The handbook includes a thorough, in-depth examination of what makes digital photography special, and how the LCD monitor changes the way you shoot. There’s a discussion of the importance of resolution, the various formats and file options available, and memory cards and storage choices. Tips on getting the best exposure, making the most of flash, using different lenses and filters, and finding effective ways of applying image-editing software will all help photographers get truly creative.

 

Recommended Equipment

Tamron SP AF 200-500mm/F5-6.3 Di LD (IF)

This is a new zoom lens from Tamron that lets you bring your far away subjects up close while compressing the distance between the main subject and the background for professional-looking results. Even while covering up to a 500mm that enables you to take ultra telephoto shots of subjects further than the eye can see, its design is extremely lightweight and compact. When mounted on an APS-C size digital SLR camera, it provides a focal length equivalent to a 760mm for super ultra telephoto imaging.
 
For Canon

For Nikon

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