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More On Choosing Digital SLR Lenses

Once upon a time buying a camera and a lens for it was a very simple task.
There were only a handful of cameras to choose from, and your first lens was
almost always a 50mm standard. Manufacturers offered mostly fixed focal
length lenses with only one or two zooms of average quality in their lineup.
Generic brand lenses were considered the choice for beginning and amateur
photographers. Pros would not be caught dead with a zoom lens or even a
generic brand lens, as they felt these optics where not up to professional
standards. Those days are long gone. Today's technology is producing
superior lenses in all categories at very affordable prices. Lenses that can
outperform professional lenses made a decade or two ago.
I personally did not trust wide-angle zooms such as 28 -85mm and very long
telephoto zooms like the 75-300mm when they were first introduced. This was
the reason I carried single focal lenses when I became a serious
photographer. The very first zoom lens that matched the quality of
single focal length lenses was the 70 -210mm. Other zooms soon followed. The
technology grew so rapidly that zooms replaced most fixed focal length
lenses. Only fast telephoto lenses including 300mm f-2.8 and 400mm f-2.8
remain popular among wildlife and sports photographers due to their speed.
Sigma's 120-300mm f-2.8 and Nikon's 200-400mm f-4 are indications of what
the future of fast long telephotos will be. Even the pros who are usually
very slow in adopting new technologies have switched to zooms which now
incorporate fast apertures pros demand. The quality of today's lenses are so
good that you cannot tell the difference between moderately priced and more
expensive professional lenses. What's more, the generic brands of lenses now
rival those made by camera manufacturers. New lenses come to the market
almost daily and they are getting better, faster, with extended range. There
are so many choices available that can make your head spin trying to decide
which ones to buy. The question to ask yourself is which focal length do I
need and then decide between your own camera manufacturers brand or a
generic type. The other question is whether or not to choose a regular
lens or a lens specifically made for digital cameras.
Brand and Generic Lenses
There are currently three major lens manufacturers that produce lenses for
camera brand names including Canon, Nikon, Konica Minolta, and Pentax. The
three lens manufacturers are Sigma, Tamron, and Tokina. The three lens
manufacturers mentioned, produce lenses that are equally good in terms of
glass quality and lens construction to that of the camera manufacturer's own
lenses. There are other lens manufacturers such as Vivitar, Phoenix, and
Promaster, but lenses made by these companies are aimed at beginning and
amateur photographers and hobbyist on a tight budget. Although they produce
some lenses of good quality, they are not up to the standard of camera
manufacturer and those of Sigma, Tamron, and Tokina lenses, mainly in
construction of the lens body more than the glass elements.
I own both generic brand and my own camera manufacturer lenses. I use
Konica Minolta 35mm cameras and Canon digital cameras. My workhorse lenses
are my 80 -200mm f-2.8 Tokina ATX for my 35mm, and 70-210mm f-2.8 Tamron I
use with my Canon digital SLRs. When I first purchased my first digital SLR,
I chose the Tamron 70-210mm lens over Canon's brand that cost almost $500
more. Although the Canon version has faster autofocusing, the glass quality
is not much different if any. I knew Tamron's 300mm f-2.8 was, and perhaps
still is, one of the best lenses in its class and chosen by many pros over
that of other brands, because of its quality. This was one reason I chose
Tamron 70-210 mm lens over that of Canon's, since the 70-210mm f-2.8 comes
from the same family of professional lenses in Tamron line as the popular 300mm f-2.8. I
was not disappointed. I use my Tamron 70-210mm lens religiously. It is
the sharpest zoom and the second sharpest lens I have ever owned. The first one being my
Minolta 200mm f-2.8 fixed focal lens. I'm not trying to advertise for one brand over another.
I am simply saying, since there is no longer a quality difference between
major brands, I purchase lenses that best suits my needs and budget.
I also
needed a 300mm lens for my digital SLR. This is equivalent to about 480mm
lens on my Canon digital SLRs. I own a Konica Minolta Maxxum 300mm if 2.8
lens which I mostly use for wildlife photography with 1.4X and 2X
teleconverters. This is a big heavy lens that I use only because of the
speed and focal length it has for wildlife photography. I much prefer a
lighter lens. Since digital SLRs have smaller sensors than 35mm film format,
a 300mm lens is almost equivalent to 500mm lens on the 35mm
camera. This means I could purchase a 300mm f-4 lens and have the reach of
the 500mm f-4 lens 35mm equivalent in a light small package. My choice was
Canon 300mm f-4 lens which is a superb quality lens and perfect for wildlife
and sports photography with digital SLRs. However, I ended up with a Tokina
300mm f-4 ATX instead. I happened to see this lens in a camera shop in Los
Angeles. The shop had this discontinued lens on sale. I had tested this
lens previously and knew of its quality. This was the reason I bought the
lens and been happy with it so for. When I shoot wildlife with my digital
camera, I use the Tokina 300mm f-4 lens exclusively with fantastic results.
The bottom line is that you can feel confident purchasing your own camera
manufacturer's lenses or one of the generic brands I mentioned here
and get high-quality results. Compare features between different models,
including close-focusing distance, autofocus speed, maximum apertures, and
glass type such as APO, L, or ED. These designate the type of glass used
to make the lens. The price of the lens of
course, is a major factor as well.
Digital Lenses

Almost all lenses made for 35mm cameras work with Digital SLRs. Since
digital SLRs have a smaller sensors than 35mm film size, any given focal
length used with Digital SLRs covers less of an image compared to that of
the 35mm. How much a lens covers depends on the camera CCD size. On Nikon and
Konica Minolta SLRs, there is a 1.5X. factor. On Canon is from 1.3X. to 1.6X., and in the case of EOS 5D there is no
increase.
You can get
professional quality results with any lens you already own. Manufacturers
are now producing lenses specifically designed for use on digital SLRs.
These lenses will not work with film cameras as vignetting will occur. In
other words, you can use lenses made for 35mm cameras with your digital
camera, but not vice versa. Digital camera lenses are made with wider angle of
view to cover wide-angle requirement for landscape or interior photography.
Some of these lenses are 10-22mm and 12-24mm to give you some examples.
Selecting the Right Lens
One of the frequently questions amateurs ask is which lenses they should buy. I
must have been asked this question a million times and given the same answer
I'm going to give here. I don't know which lenses you should buy. Nobody knows
which lenses you should buy. Only you know which lenses you should buy,
because you know your own photography. You know your own budget. You know
how much weight you can carry. You know the type of photography you like to do.
Knowing the fact that lenses made by camera manufacturers and those made
by three major independent lens manufacturers I mentioned earlier, are
equally good, you should have no problem selecting the right lens based on
your budget and needs.
I can give you some suggestions as what you should consider. Start with a
pair of zooms such as a 10-22 mm and 55-200mm if you prefer
digital lenses, and you know you won't be using those with 35mm cameras. This
pair of zooms is perfect for general purpose photography. If you already own a 20-35mm and a 70-210 mm, then you
are all set. I don't see any
reason why you should switch to another system. Except perhaps, you need a
lens that covers a wider view with your digital camera. As always, buy the
best you can afford. Remember, no matter what you buy, you'll someday
auction it off on eBay for a different lens. Maybe your needs will change or you
just get bored and want a new toy to play with. People like us keep photo
and electronic companies in business, and make photo equipment one of the
top sellers on eBay.
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Recommended reading:
PCPhoto Digital SLR Handbook
Here is a photographer’s dream manual, with the
newest and hottest cameras, high-quality images, and unequaled, in-depth
information provided by an expert author and PCPhoto, the best photography
magazine on the market. The handbook includes a thorough, in-depth examination
of what makes digital photography special, and how the LCD monitor changes the
way you shoot. There’s a discussion of the importance of resolution, the various
formats and file options available, and memory cards and storage choices. Tips
on getting the best exposure, making the most of flash, using different lenses
and filters, and finding effective ways of applying image-editing software will
all help photographers get truly creative.
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Recommended
Equipment
Tamron SP AF 200-500mm/F5-6.3 Di LD (IF)
This is a new zoom
lens from Tamron that lets you bring your far away subjects up close
while compressing the distance between the main subject and the
background for professional-looking results. Even while covering up
to a 500mm that enables you to take ultra telephoto shots of
subjects further than the eye can see, its design is extremely
lightweight and compact. When mounted on an APS-C size digital SLR
camera, it provides a focal length equivalent to a 760mm for super
ultra telephoto imaging.
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