Left Image: Canon EOS D60, Tamron
70-210mm f-2.8 lens, 1/250 sec at f-2.8, Bogen tripod and ball head. Spot meter.
Some people are under the impression that
it's the camera that takes sharp pictures, and if you want to take good photographs, you
need to purchase one of the latest top models. I have seen photographers blaming their
cameras or the manufacturers for their unsharp photos, and trading their cameras for a
better model to improve their pictures. The truth is, that cameras regardless of their
brand or model, have nothing to do with taking a sharp photograph. As a matter of fact,
cameras don't have much to do with any good photograph. They are simply a box that hold
the film flat and have a shutter to control exposure time. Everything else built into them
is just luxury. What creates a sharp image is the photographer using the camera with good
photographic technique, a sharp lens, sharp film, and a sturdy tripod. Ansel Adams took
some of the best pictures in the history of photography with cameras and equipment that
are light years behind what we are using today.
To take razor sharp images you must use a tripod. Buying an expensive camera or a lens
will not guarantee a sharp picture. This is especially true with longer lenses. I have seen
a lot of people with high end cameras and lenses taking pictures without a tripod. They
are not getting the results they should without a tripod. Take two photographs of the same
subject, one with a tripod and the other without. Use an 8X loupe and view both images and
you will see that the one taken with a tripod is much sharper. Enlarge both pictures and
the handheld shot will begin to soften more with larger enlargements. Buy a good sturdy
tripod and use it at all times, except in places that is impossible to set up a tripod in
which case a monopod or a shoulder pod should be used. When photographing from your car,
use a window mount or a bean bag (I use rice in mine) to support the camera. I only hand
hold my equipment when it is absolutely impossible to use a tripod or any other form of
support.
Your lens has a big effect in the sharpness of your photograph. Buy the best lens you can
afford. If you have to decide between a more expensive camera or lens, buy the better
lens. Lenses project the image, and a sharp image is only projected by a sharp lens. I
also strongly recommend not using a UV or Skylight filter over your lenses. Many people
use a filter to protect their lenses. All lenses give best results without a filter
attached. Whenever you attach a filter to your lens, you degrade image quality to some
degree. The lower the quality of a filter, the more you will loose overall sharpness.
Buying an expensive lens and placing a cheap filter over it, turns your high quality lens
into a low quality one. Use a lens hood to protect your lens against damages. If you have
to use a filter, at least buy the more expensive type. Don't place a $10 filter over a
$500 lens and expect to get a good results. It just won't happen.
Right Image: Canon EOS D30, Tamron 70-210mm lens, 1/15 sec at f-16.
Original color image was converted to black and white in Photoshop.
The f-stop you set on your lens also has an effect on the sharpness of your pictures. All
lenses are at their sharpest when closed down two to three stops from their widest
apertures. Try to avoid the widest and the slowest f-stops if possible. With wide open
apertures you will loose sharpness especially in the corners. Using very small apertures
will produce a soft image due to diffraction.
Use a slow fine grain film for better results unless you need the extra speed. For slide
films ISO 50 films and 100 are the best. Print film users can get good results with ISO
100 or 200 films. Generally speaking, slower films produce sharper and finer enlargements.
Avoid unknown brand films. Experiment with different types of film and pick the one you
like best. I use ISO 50 slide film for most of my photography. ISO 100 is my fast action
film. I'm experimenting with the newer ISO 200 films as they are getting very close to ISO
100s in terms of both sharpness and finer grain.
When taking pictures, pay close attention to your shutter speed. Slower shutter speeds can
cause blurred images even with your camera set on a tripod. Your camera's mirror can cause
vibration at slower shutter speeds and with longer focal length lenses. A mirror lock up
can be used to lock the mirror up prior to exposure. If your camera doesn't have a mirror
lock up, avoid speeds between 1/8 to 1/15 sec. and use a longer or shorter shutter speed.
Use a cable release to trip the shutter. This will reduce camera vibration during
exposure.
When judging sharpness in your pictures, use a quality 8X loupe or reverse a 50mm lens to
view images. You can't tell much by projecting your slides. Follow the above steps and
I'll guarantee, you will see great improvements in your photography.
Recommended Lens
Sigma 80-400MM F4.5-5.6 EX Optical Stabilizer
An
ultra-telephoto zoom lens, which overcomes image blur caused by camera shake
Sigma's OS
(Optical Stabilizer) system detects camera shake by utilizing two sensors,
and then by the movement of an optical stabilizing lens group. It is
equipped with two optical stabilizer modes to compensate for image
blurring.
Mode 1, determines the camera shake
in vertical and horizontal panning and compensates blurring, this mode is
effective when shooting static subjects.
Mode 2, detects the vertical camera
shake, and overcomes blurring. It is especially effective with moving
subjects such as motor sports etc.
Two Special Low Dispersion (SLD) glass
elements in the front lens group and one in the rear group offer effective
control of color aberration. This lens features full-time manual focusing
and a removable tripod collar. The rear focus system prevents the front of
the lens from rotating; a circular polarizing filter can be easily attached
and used. This lens is also equipped with Zoom Lock Switch that eliminates
"Zoom Creep". When this lens is used with the 1.4x EX or 2x EX Apo Tele
Converters (optional), it becomes a 112-560mm F6.3-7.8 MF telephoto lens or
a 160-800mm F9-11 MF ultra-telephoto lens respectively. The lens materials
used in this new lens are lead and arsenic free ecological glass.
Canon
Nikon
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