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You may also be interested in the following articles.

How to become a better photographer

Taking Sharp Photos

20 Tips For Taking Better Pictures

Depth-of-field

Controlling depth-of-field

Composition

Process behind taking pictures

Composing with square format


Taking pictures with view cameras


Left Image:

Omega 45E, Caltar 210mm f-6.8 lens, Fuji Velvia 50, Bogen tripod and pan/tilt head.
Multi-spot metering with Minolta Auto Meter IIIF and 5 degree spot attachment, 1/30 sec at f-22.

First thing you need to do is load your films. You need a few sheet film holders. These hold two sheets of films. Keep the film holders clean from dust as they can show in your pictures. Films must be loaded in total darkness or by using a changing bag. You also need a lens board. Lens boards are available predrilled for most lenses. Attach the lens and set the camera on your tripod. Check the composition on the ground glass. The image is seen upside-down and reversed. It takes some time to get used to composing with a view camera, but this slower process forces you pay more attention to details resulting in much better photographs. It is a good idea to check the scene you want to photograph before setting up your equipment. Look around and find a good spot, choose a lens, and set up your camera. Decide how you want to compose your shot. Rotate the ground glass from horizontal to vertical and check the scene. Focus on your subject by using a loupe and adjust necessary camera movements. This is the area that view cameras have a great advantage over other formats. Rise/fall/shift movements, move the lens' image circle relative to the picture frame and are used to control perspective. Tilt/swing movements control focus and depth-of-field. Swing and tilts are used to create razor sharp images. With a 35mm camera you need to use a very small aperture to bring both the foreground and the background into sharp focus. Very small apertures also reduce overall sharpness due to diffraction. By tilting the front you can make the image sharp without having to stop the lens down to the smallest aperture. By shifting the camera back and the lensboard side to side or up and down, you can position your subject on the ground glass without having to move the camera. This avoids distortion caused by 35mm cameras by pointing the camera up to include the top of a tall object such as trees or buildings.


My good old Omega 45E

Play around with your camera and learn how each different movement effects your pictures. It seems confusing at first, but you'll master all of them in no time. Once you have set up your shot, insert the filmholder; close the lens; take a reading and set the f-stop and the shutter speed on the lens; pull the dark slide; trip the shutter using a cable release. Insert the dark slide back into the holder after taking the picture. Although this is a slow process compared to and medium formats, the final result is much more impressive and sharper. View cameras are also good teachers. They force you to slow down and think how to compose your shots and become better photographers.

Recommended reading: View Camera Technique, Seventh Edition

Now in its seventh edition, View Camera Technique is a unique, comprehensive book that presents clearly and precisely the features, operations and applications of view cameras. It details camera movements, image formation, exposure control, and information concerning lenses and accessories. Diagrams, comparison charts, and more than 500 photographs and illustrations by distinguished professional photographers provide the reader with the tools necessary to analyze a picture situation, set up and manipulate the camera, and portray the subject to meet the expectations of the professional photographer.

This text has been completely revised and updated to include over 100 brand-name view cameras, and offers comparison tables to assist readers in choosing cameras, lenses, and view-camera digital backs. This latest edition offers expanded coverage of the newest technology, including electronic features that simplify the use of view cameras for conventional photography and digital view cameras that eliminate the need for film and make it possible to modify the digital images with image-processing computer software programs

Over 500 photographs and line drawings

Expanded coverage of the newest technology

Updated comparison tables for 111 brand-name view cameras and accessories including over 50 specific features

 

MINOLTA Auto Meter VF Photo Exposure Light Meter

Features:

  • Receptors for incident and reflected light
  • An external receptor is optionally available
  • AQmbient and Flash-light measurement
  • Analyze and Memory functions
  • Analog scale

The Minolta Auto Meter VF features simplified operation and enhanced functionality. In addition to providing shadow/highlight-based exposure calculations for reflected light measurement, this new meter offers a custom setting mode which allows users to specify a desired exposure correction value and shutter speed increments across a broad range of aperture and shutter speeds. And, for the first time, the Auto Meter VF provides an Analyze function, which conveniently displays the flash/ambient lighting ratio. Multi-function Meter with Pinpoint Accuracy Ambient or flash, with or without a sync cord, the Auto Meter VF provides unparalleled repeatability and accuracy. It is a meter you can rely on completely, leaving you free to concentrate on the creative challenges at hand. Large, Easy to Read LCD DisplayThe large, over-sized LCD display shows all the necessary information at a glance. With the shutter speed appearing on the left and the aperture on the right, the LCD display is designed to make viewing easy in all environments. Operating Ranges Shutter speed range is 1/8000 sec. - 30 min., in 1/3-, 1/2-, and 1.0-stop increments. Film speed range is ISO 3 - 8000 in 1/3 stops and cine speeds range from 8 to 128fps including 25fps (Europe) and 30fps (TV). The X-sync range is 1/500 - 1 sec.