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Travel Photography Tips

Left Image: Canon EOS D30, Tamron 70-210mm f-2.8 Bogen tripod and ball head.
Multi-pattern
meter at f8
and 1/250
sec on aperture priority mode and manual focus.
Original color image was converted to black and white in Photoshop.
Traveling to new places is exciting and offers great photo
opportunities. You get to see and photograph new places and bring back some unique images.
You must be prepared and take all necessary equipment you will need. You can't just turn
around and go back home to get your tripod or stop at the local drug store to buy more
films. Here is some tips to help you get prepared for your next trip to take full
advantage of all the photo opportunities.
- Get to know your destination. Buy guide
books about the place you will be visiting. Learn about interesting sites and plan in
advance to make sure you'll have enough time to see all the best the place has to offer.
Local people are always the best guides. Ask them about places for photography and you
will find locations not mentioned in any guide.
- Get to know the basic laws and regulations,
especially laws regarding photography. Some countries for example, have laws against
photographing military bases or even private homes. Respect their laws even if they seem
unusual to you. You are not there to start a revolution, but to take pictures.
- Pack all your equipments and carry them with
you on the plane. It is no use to spend 500 dollars on a new lens and leaving it at home.
If you possible, carry your tripod with you as well. If you leave your equipments inside
your luggage and the air line looses it, your photography trip will turn into just site
seeing. Make sure to take as much as you can including extra lenses, your flash, and other
accessories.
- I highly recommend a second camera body. If
your camera stops working or gets damaged, your second body can be used to continue taking
pictures. You can invest in a low priced body for back up as long as it has all the basic
features you need.
- All-in-one lens users beware! If you own
only one 28-200mm or 28-300mm zoom, and if it is accidentally dropped and damaged, your
trip will end in disaster. This is the main draw back to this type of zooms. You may want
to take extra lenses just in case.
- Buy twice as much film as you think you will
need. You'll never know what you will find and you don't want to run out of film, when you
find that once in a life time opportunity. If you don't shoot all the rolls, you can
always bring the unused ones back home. Use clear plastic film cans and place them inside
large zip lock bags to carry your films and ask for hand inspection.

Image Above: Canon EOS D30, Tamron 70-210mm f-2.8 Bogen tripod and ball head.
Multi-pattern
meter at f-4
and 1/160
sec on aperture priority mode and manual focus.
Original color image was converted to black and white in Photoshop.
- Beware of X-ray: X-ray machines are
photographers worst enemy, especially the newer CTX machines installed in many major
cities. X-ray will damage films and CTX machines can even totally destroy all your films.
Film shields may provide some protection against some X-ray machines, but almost none
against CTX. I don't trust film shields and believe they are a waste of money. If the
X-ray operator can't see what is inside the bag, all he or she has to do is turn up the
power. Damage depends on the type of ISO (ISO 400 and higher are much more sensitive),
location of film inside the bag, film format, and number of scans performed. If you notice
foggy or ghostly images or total black out, it was the result of X-ray. Best protection is
hand inspection. In US and Canada, you have the right to request for hand inspection. In
Europe and most other countries, agents have the right to refuse hand inspection. You
should still ask and be very nice and polite. If the agents are not very busy, they may
inspect your films without putting it through X-ray. Another option is to have your films
processed at your destination. It might be more costly, but worth the price if it will
protect your films.
- Don't forget extra batteries. Nobody seems
to pay much attention to batteries. Needles to say that without them you can't do any type
of photography. Keep fresh extra batteries with you at all time, and I mean inside your
bag or pockets. You don't want to run back to your hotel to get fresh ones.
- Take extra care before taking each shot and
take insurance shots. Bracket when in doubt and take extra shots of each opportunity. You
can't just go back the next day to take more if you mess up, especially if it's your last
day.
- Find out about the climate and take
appropriate clothing. Wear comfortable clothes and shoes for long walks. I pack casual
cloth and take less to leave room for my photo vest, backpack, and monopod . I also take
warm jackets and sweaters even when traveling to warm places. You'll never know.
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Recommended reading:
Travel
Photography : A Complete Guide to How to Shoot and Sell
This new edition will help every photographer, whether amateur or experienced, to uncover new ways of taking exceptional pictures on the road. World-acclaimed travel photographer Susan McCartney offers both a definitive guide to honing skills as well as a business manual of expert tips for making each endeavor profitable.
This new edition has been revised and expanded to cover: bringing equipment up-to-date; handling lighting; composing portrait, landscape, architecture, and location still life shots; planning and preparing for a travel shoots; editing; building a portfolio; working on assignment; selling to stock houses; shooting on location for businesses and corporations; and exploring opportunities on the World Wide Web. Includes self-assignments and sample itineraries to get started, as well as model releases in more than thirty languages.
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Recommended
Lens
Tamron
28-300mm f/3.5-6.3 XR Di LD Aspherical Macro Ultra Zoom Digital
Lens
Tamron AF 28-300mm XR Di Telephoto Lens! Maintaining
the high performance of the previous model, Tamron's new
28-300mm zoom lens now features our "Di" design, making it the
ideal lens for use with both digital and film cameras. The "Di"
design is achieved by applying a new optical design to its
coated surfaces, and by further enhancing our already stringent
quality control system. Whether you shoot film or digital, the
lens provides high image quality for both platforms. When used
with APS-C size digital SLR cameras, the lens provides an angle
of view equivalent to approximately 44-465mm, covering the
standard to ultra telephoto range with no sacrifice of quality
or aperture range.
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