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View Camera Movements

Omega 45E, Caltar
210mm f-6.8 lens, Fuji Velvia 50, Bogen tripod and pan/tilt head.
Spot metering (rocks) with Minolta Auto Meter IIIF and 5 degree spot attachment, 1/2 sec
at f-32.
Rise
Rise is used for controlling perspective
and parallel lines. If you want to photograph a tall building, or a tree, and want to keep
all lines parallel with the camera, you use rise. Align the camera back parallel to the
subject. Use the rise movement so the lens' point of view is moved above eye level. This
keeps vertical lines parallel. Rise, fall and shift are all parallel movements. They move
the lens up, down and sideways relative to the picture frame.
Drop-Bed,
Incline Bed, Shift Bed
When front rise, fall and shift, are not
enough to give control over perspective, you can use drop-bed, Incline bed, or shift bed.
With drop-bed, front and rear are tilted backward at the same degree and kept parallel.
This gives the effect of increased front fall. Incline Bed, front and rear are tilted
forward at the same degree and kept parallel. This gives the effect of increased front
rise. Shift Bed, front and rear are swung in the same direction to the same degree. This
gives the same effect as shift, but with increased control.
Front Tilt
Front tilt is used for increasing
depth-of-field. If you want to photograph a landscape for example, with flowers in the
foreground and mountains in the background, and you want to have everything in sharp
focus. If you use the smallest aperture on your lens, you may still not have enough
depth-of-field, and the slower shutter speed may cause blurred images if there is wind.
Tilting the lens forward will extend the plane of focus. This allows more depth-of-field.
Front tilt is usually used with a small aperture such as f-22 or smaller.
Front
Swing
If you were photographing a subject with a
35mm or medium format camera, and your subject were running diagonally and from near to
far, you would have to either focus on the beginning, middle, or end, and use a small
aperture, to get most of it in focus. With a view camera and front swing, you can swing
your lens to position it parallel to the subject. This will allow you to get everything in
sharp focus from beginning to end, even if you use a wide aperture.
Front
Tilt-Backward
For focusing on just one part of a scene
and leaving everything else a soft blur, use front tilt-backward. It can be used to
accomplish selective focus effects. Front swing can also be used for similar effects with
objects to the left or right of your composition center. Swinging in either direction will
bring objects in or out of focus.
Rear Tilt,
Rear Swing
Rear tilt can be used to emphasize a large
object in the foreground. By tilting the back away from the lens, you can exaggerate the
size and shape of objects in the foreground. Rear swing can also be used to pivot the back
from side to side. This manipulates the shape of objects to the right or left of the
composition.
Recommended reading:
View Camera Technique, Seventh Edition
Now in its seventh edition, View
Camera Technique is a unique, comprehensive book that presents clearly
and precisely the features, operations and applications of view cameras.
It details camera movements, image formation, exposure control, and
information concerning lenses and accessories. Diagrams, comparison
charts, and more than 500 photographs and illustrations by distinguished
professional photographers provide the reader with the tools necessary
to analyze a picture situation, set up and manipulate the camera, and
portray the subject to meet the expectations of the professional
photographer.
This text has been completely revised and updated to include over 100
brand-name view cameras, and offers comparison tables to assist readers
in choosing cameras, lenses, and view-camera digital backs. This latest
edition offers expanded coverage of the newest technology, including
electronic features that simplify the use of view cameras for
conventional photography and digital view cameras that eliminate the
need for film and make it possible to modify the digital images with
image-processing computer software programs
Over 500 photographs and line drawings
Expanded coverage of the newest technology
Updated comparison tables for 111 brand-name view cameras and
accessories including over 50 specific features
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